Showing posts with label Acamas. Show all posts
Showing posts with label Acamas. Show all posts

Tuesday, 17 April 2012

Administration Day

Deutsch: Ursula Boese (als Jocaste) mit Igor S...
Deutsch: Ursula Boese (als Jocaste) mit Igor Strawinsky nach der Premiere von "Oedipus Rex" in der Mailänder Scala, 12.06.1963 (Photo credit: Wikipedia)
Graded a set of exams, a set of papers, calculated grades for my large (235-person) class, submitted grades.  All this teaching is playing havoc with my research.

A colleague points out that in the weaving simile (yesterday's post), the weaving woman who 'stops' the scales the way Ajax 'stops' Acamas is, of course, a Fate.

Oh, and I ordered the Julie Taymor production of Stravinsky's "Oedipus" Oratorio, because it is utterly awesome.


Enhanced by Zemanta

Sunday, 15 April 2012

The death of Acamas

Ajax and Hector exchange gifts, woodcut in And...
Ajax and Hector exchange gifts, woodcut in Andreas Alciatus, Emblematum libellus, 1591. (Photo credit: Wikipedia)
Oswald gives the death Acamas the Thracian (beginning of book 6) a few lines, saying Aias 'stopped' him.  She then uses the "weaver woman" simile that Homer uses in the battle at the ships (12.432ff).


The original simile is about the battle at the ships being evenly balanced between Trojans and Lycians,  the way a weaver woman holds the scales being careful to get the weight exactly right, get (payment for?) the last ounce of wool, to barely support her children; and at the same time, she's holding on against adversity, fighting her own battle against it the way the warriors are fighting with each other, and like them, she is barely holding the line, all but at at a standstill; her wages are pitiful, she is barely eking out a living.

  But Oswald focusses instead on the fact that you have to make the scales stop swaying back and forth to weigh something; weighing doesn't occur when the scales are still in motion, but when they stop.  So Aias stops Acamas the way the weaver stops weaving, after working all night (as Aias has been fighting all day?), and then stops the scales so they will give an accurate and final reading of her labour.

So the simile is no longer about holding the battle lines even the way the woman holds the scales even.  It's about Aias 'stopping' Acamas the way the hard-working woman "stops" spinning and "stops" the scales.  The "stop" is the moment of killing; her work as a spinner is made equal to his work as a warrior; she isn't like a god - like Zeus, holding the battle lines even - she's like a soldier, like Aias, fighting against want, and momentarily winning.


Enhanced by Zemanta