I may have already used this cartoon (from toothpastefordinner.com.). It is the most perfect image of my creative process I've ever seen. Apparently everyone else on the web feels the same way, which is reassuring.
I'm back in the classroom. Predictably, this causes me to have all kinds of ideas about work all the time, but now I have no time to write them down. However, I'm giving a paper on Alice Oswald in 3 weeks, which is serving to focus my attention marvellously.
I have 18 death scenes and about the same number of similes to get through before I've finished the Homeric footnotes. Arguably I would be better off skipping finishing that until later and just get on with writing the paper on the part I've already done. But I'd like to feel as if I've got a firm handle on something, and how long can it take me to - yes, I know, months - however, I don't have months. So I've got to the yellow zone in the bar graph, where I still think it's possible to do all the things, if I just do them really fast.
Am also reading a book on "Stylish Academic Writing", by Helen Sword. It is unpleasant to suspect that the result of my work will be articles that I wouldn't want to read myself. I would like to write what I would enjoy reading if I happened on it. Helen Sword's book gives me a modest sort of hope that this is actually attainable. So thank you, HW.
So: Pedasus. Oswald tells the story of his death pretty much from the horse's-eye point of view; first he was fed by one group, that had stone mangers; then by another group, that had bags of grain; then he died. The entire battle scene and the other two horses are missing. I think they are recuperated (according to Helen Sword I should not be using that word here in this sense, because nobody will understand it and I'm just trying to impress people by talking fancy) by the simile, however. Oswald uses the "fig juice curdling milk" simile here. Homer uses it at the end of book 5, where Apollo uses φάρμακα to heal Ares' wound, as fast as fig juice curdles milk. Oswald uses it to refer to the speed of Pedasus' death; his blood, I suppose, coagulating in death, he turning from animate to a solid lump, at the same speed. But the interesting thing is (of course) that Ares is immortal, as Homer points out; and Pedasus' two companion horses are also immortal. If the spear had got one of them, they could have been healed, as fast as Ares. Bad luck, Pedasus.
My undergraduate mentor, Mac Wallace, thanks to whom I now do what I do, once told me that scholars who are willing to talk to themselves write more and better. I keep trying.
Showing posts with label Pedasus. Show all posts
Showing posts with label Pedasus. Show all posts
Sunday, 13 January 2013
Wednesday, 18 April 2012
Abarbarea
| Herakles (on the left) about to kill Laomedon, king of Troy (on the right). Behind Herakles stands Hesione, raising her right hand to her chin in sign of melancholy. Side A from a terra sigillata flask by the workkshop of Felix (Southern Gaul), late 1st–early 2nd century CE. From the necropolis of Lugone in Salò. Stored in the Museo Civico Archeologico della Valle Sabbia in Gavardo (Brescia). (Photo credit: Wikipedia) |
Both the twin boys of the mother died that day, she concludes, and then follows with a simile taken from Achilles' battle with the river Scamander (book 21): a man clears out a path for a little stream and finds himself overwhelmed by a river running downhill.
What's the association? Two river-deities, but one overwhelms (Achilles) and the other is overwhelmed; but she isn't really; she gives birth to twins, an unexpectedly strong response and not one the father had in mind when he cleared out the stream with his mattock.But the focus is the mother, and the unexpectedness of the twins, and possibly "running downstream" = "to their deaths".
Related articles
- 2012.03.46 (bmcreview.org)
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