Showing posts with label Teucer. Show all posts
Showing posts with label Teucer. Show all posts

Tuesday, 21 August 2012

Home Again

English: Aerial view of the village of Passche...
English: Aerial view of the village of Passchendaele (north is to the right of the photo) before and after the Third Battle of Ypres, 1917. Français : Vue aerienne du village de Passendale, avant et après la troisième bataille d'Ypres, en 1917. Le nord est à droite sur les photos. (Photo credit: Wikipedia)
A CWGC cemetery from the First World War: Tyne...
A CWGC cemetery from the First World War: Tyne Cot in the Ypres Salient (Photo credit: Wikipedia)
THE THIRD BATTLE OF YPRES The Battle of Pilcke...
THE THIRD BATTLE OF YPRES The Battle of Pilckem Ridge : A British 18 pounder field gun battery taking up new positions close to a communication trench near Boesinghe, 31 July 1917. (Photo credit: Wikipedia)
Map of the Third Battle of Ypres
Map of the Third Battle of Ypres (Photo credit: Wikipedia)
After a month away, I'm back in Victoria and have finally unpacked and got back to my desk.  Today, Kaletor, Lykophron and Kleitos have all been killed, "it goes on and on" as Oswald remarks, partly because the list of dead soldiers in the Iliad is so bloody long, but partly because those are a sequence of vengeance-deaths.  Ajax kills Kaletor; Hector, enraged at the death of his cousin (N.B. we've never been told that Hector had a cousin called Kaletor until this instant), tries to kill Ajax, misses, and nails Lykophron; Ajax, enraged that his good friend of the family Lykophron who lived with Ajax' family because he'd killed someone back home and whom Ajax honoured like his own father (and we've never been told any of that before either), calls up Teucer to avenge the death.  Teucer sends out a hail of arrows but misses Hector and gets Kleitos, who is just riding up into the thick of the battle to help Hector out.  "It goes on and on".

Oswald skips all the made-up-this-instant retconning Homer inserts to give these deaths some emotional resonance.  First Kaletor, then Lykophron, then Kleitos.  They don't, in Oswald, need some made-up reason for someone important (Ajax, Teucer, Hector) to care about them for their deaths to matter.  Their deaths already matter.

While we were in Belgium went to Ypres and Passchendaele, and the German and Tyne Cot World War 1 cemeteries.  I stood at Ypres, where young men had died by the thousands, mired to the waist in a bog of mud, and blood, and corpses, and ordinance, and mustard gas, and poison, and rain; and knew that I was certainly standing over bodies, or parts of bodies, of soldiers whose corpses had never been found. I thought about the Iliad, where at least the dead, or most of the dead, had names.
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Tuesday, 1 May 2012

a simile was left in place!

Statue of Teucer by Sir William Hamo Thornycroft
Statue of Teucer by Sir William Hamo Thornycroft (Photo credit: Wikipedia)
Oswald lists the 8 Trojans killed by Teucer in the same order Homer does, with rather less focus on Teucer and no mention of Ajax' name; then  moves to Gorgythion, and this is the first place where she uses a simile that Homer uses of the same person Homer uses it for.  But it is so perfect it's not surprising; and it is used of the sort of character that interests Oswald, that is, one who is never mentioned before or after.  Teucer is aiming at Hector, misses, and hits Gorgythion, "someone's darling son", in the breast.  Homer tells us his father was Priam and his mother Kastianeira, but Oswald doesn't follow her practice until now and record the mother's name.  She moves on to the simile:


8.306-308 μήκων δ’ ὡς ἑτέρωσε κάρη βάλεν, ἥ τ’ ἐνὶ κήπῳ
καρπῷ βριθομένη νοτίῃσί τε εἰαρινῇσιν,
ὣς ἑτέρωσ’ ἤμυσε κάρη πήληκι βαρυνθέν

As a poppy in bloom in a garden drops its head to one side, 
weighed down by the spring rain,
so his head sank down, weighed down by his helmet  

(my translation: Oswald's is much better).

Really one thing reading Oswald so carefully is doing for me is renewing my appreciation of Homer.  This passage can't be matched; it's perfect; and it's thrown away, in Homer, on a redshirt, on someone we will never hear of again.  In Oswald, that's the whole point; the similes are not thrown away, but pointedly attached to the redshirts, the ones that otherwise went unmourned.  But here she and Homer agree; Gorgythion should be remembered too.

The article I've linked below is thoughtful and interesting, and reminds me why I should stop reading only for historical and social context, as I tend to, because it's easy.


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